Abstract
This introduction dicusses the imposition of the 1737 Stage Licensing Act and offers a historical account of its effects. It shows how the legislation was poorly conceived and understood leading to a widespread haziness about its precise powers and a large amount of authority being invested in teh office of the Examiner of Plays. It suggests three possible avenues for future work: the chronology of emendation, contextualizing censorship across the repertory, and understanding theatre archives as a resource for social history.
| Original language | English (Ireland) |
|---|---|
| Title of host publication | The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 17371843 |
| Place of Publication | Cambridge |
| Publisher | Cambridge University Press |
| Pages | 1-30 |
| Number of pages | 30 |
| ISBN (Electronic) | 9.78111E+12 |
| ISBN (Print) | 9.78111E+12 |
| DOIs | |
| Publication status | Published - 1 Jan 2023 |
Authors (Note for portal: view the doc link for the full list of authors)
- Authors
- David O'Shaughnessy