The Theory of Film Practice: Thirty Years Later

Rod Stoneman

doi:http://hdl.handle.net/10379/4190

The Theory of Film Practice: Thirty Years Later

Rod Stoneman

Research output: Chapter in Book or Conference Publication/Proceeding › Chapter › peer-review

Abstract

Jean-Luc Godard prefaced his exhibition Voyages en utopie with the explanation that it was an intimate voyage that is permeable to the worlds upheavals; it is from the tension between these two poles: autobiographical fiction and documentary report that poetry is generated.[1] A tenuous biographical trajectory is the starting point for this exposition which tries to understand the activity that is theory at the intersection of movements of ideas in the wider world and the narration of the personal. Pushing the boundaries of orthodox academic formats allows the inclusion of an autobiographical dimension which traces the accretion of age history, not to mention History itself.[1] Booklet issued to accompany exhibition at the Centre Pompidou, Paris; Spring 2006.

Original language	English (Ireland)
Title of host publication	Theory that Matters
Publisher	Cambridge Scholars Publishing,
ISBN (Electronic)	10 1-4438-4206-0
ISBN (Print)	10 1-4438-4206-0
DOIs	https://doi.org/http://hdl.handle.net/10379/4190
Publication status	Published - 1 Jan 2013

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Rod Stoneman

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The Theory of Film Practice: Thirty Years Later

Abstract

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