Abstract
Calling attention to the Ovidian contours of Isabella Whitneys cursus litterarum, this essay reconsiders the literary heritage of the personae she adopts in The Copy of a Letter (c. 1566) and A Sweet Nosgay (1573). Existing analyses of Whitneys Ovidianism have tended to emphasize her debts to the female-voiced epistles of the Heroides while simultaneously overlooking profound intertextual connections between A Sweet Nosgay and Ovids exilic writings. In contrast, this essay argues that the outlines of a self-consciously classical career trajectory (its stages demarcated by Whitneys subtle aesthetic shift from Heroidean amatory complaint to Tristian exile complaint) can be detected when The Copy of a Letter and A Sweet Nosgay are read contiguously.
| Original language | English (Ireland) |
|---|---|
| Title of host publication | Early Modern Womens Complaint: Gender, Form and Politics |
| Publisher | Palgrave Macmillan |
| ISBN (Electronic) | 9.78303E+12 |
| ISBN (Print) | 9.78303E+12 |
| DOIs | |
| Publication status | Published - 1 Jan 2020 |
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