Send in the clones: Television formats and content creation in the People’s Republic of China

  • Michael Keane

Research output: Chapter in Book or Conference Publication/ProceedingChapterpeer-review

7 Citations (Scopus)

Abstract

Television formats illustrate the machinations of contemporary television industries. This chapter provides a theoretical perspective on format flows, which rather than simply emphasizing ideological or stereotypical representations encoded in finished programmes, as has been the dominant mode of 'ontent' analysis, and considers formats as a 'cultural technology'. The chapter deals with a particular manifestation of format cloning: the Chinese dating show. With multi-channelling and increasing audience fragmentation beginning to bite in China, television stations increasingly look for the cheap proven formula to gain their ratings figures. This sends mixed signals about the state of China's domestic industry. Formats add value by introducing new ideas, technologies, and production skills. They also appease audience desires for affective content while incorporating necessary pedagogic element. However, there is something fundamentally parasitic about cloning which is detrimental to the reinvigo-ration of the Chinese mediascape.

Original languageEnglish
Title of host publicationMedia in China
Subtitle of host publicationConsumption, Content and Crisis
PublisherTaylor and Francis
Pages80-90
Number of pages11
ISBN (Electronic)9781317973379
ISBN (Print)9780700716142
DOIs
Publication statusPublished - 1 Jan 2014
Externally publishedYes

Fingerprint

Dive into the research topics of 'Send in the clones: Television formats and content creation in the People’s Republic of China'. Together they form a unique fingerprint.

Cite this