Abstract
It took Samuel Beckett about three weeks to write Krapp’s Last Tape. During that time, the play went through seven distinct stages which, according to the scholarship, involved a gradual stripping away of sentimentality: the text retained some realistic qualities, but it also became more surreal and more comical. Perhaps as a result of that textual history, actors playing the role of Krapp often try to avoid evoking too strong an emotional reaction from audiences: we might sympathise with Krapp, but will usually find it difficult to relate to him – and we’ll rarely feel inclined to shed tears for him.
| Original language | English (Ireland) |
|---|---|
| Media of output | Reviews |
| Publisher | Irish Theatre Magazine |
| DOIs | |
| Publication status | Published - 1 Jul 2010 |
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