TY - CHAP
T1 - Op Weg naar Broxeele
T2 - The Production of Shared Spaces
AU - Emerson, Catherine
N1 - Publisher Copyright:
© 2015, Bill Richardson.
PY - 2015
Y1 - 2015
N2 - The collective spaces examined in this chapter are situated on the frontier between the concrete and the abstract zones: they are real places that take on imagined significance or, conversely, things that are not real space that we talk about using spatial metaphors and approach with a territorial mentality. These are the spaces that people create in communities, and it is worth lingering for a second on the creative metaphor. Spaces can be created, produced; this language does not disturb us because we are used to using the word “space” with both a concrete and an abstract meaning. Michel de Certeau contrasts geometric, geographical space with a poetic, anthropological experience of space, but he uses the same word, espace, to talk about both, arguing that the first is like the immutable text and the second is like the ephemeral reading.1 Concrete spaces are there to be discovered, but the way in which we discover them creates abstract spaces that we invest with meaning. In this chapter we shall examine some very concrete spaces: a street corner in Brussels, a commune in northern France, and the inside of a moving coach that carries a group of people from one to the other. Reflecting on the way in which these are linked to form a territory of the imagination, which in media environments is treated as if it were a physical territory, we shall see the way in which these environments themselves, whether on the page or online, seem to take on spatial characteristics.
AB - The collective spaces examined in this chapter are situated on the frontier between the concrete and the abstract zones: they are real places that take on imagined significance or, conversely, things that are not real space that we talk about using spatial metaphors and approach with a territorial mentality. These are the spaces that people create in communities, and it is worth lingering for a second on the creative metaphor. Spaces can be created, produced; this language does not disturb us because we are used to using the word “space” with both a concrete and an abstract meaning. Michel de Certeau contrasts geometric, geographical space with a poetic, anthropological experience of space, but he uses the same word, espace, to talk about both, arguing that the first is like the immutable text and the second is like the ephemeral reading.1 Concrete spaces are there to be discovered, but the way in which we discover them creates abstract spaces that we invest with meaning. In this chapter we shall examine some very concrete spaces: a street corner in Brussels, a commune in northern France, and the inside of a moving coach that carries a group of people from one to the other. Reflecting on the way in which these are linked to form a territory of the imagination, which in media environments is treated as if it were a physical territory, we shall see the way in which these environments themselves, whether on the page or online, seem to take on spatial characteristics.
KW - European Economic Community
KW - Spatial Metaphor
KW - Spiritual Journey
KW - Street Corner
KW - Territorial Claim
UR - https://www.scopus.com/pages/publications/85145031992
U2 - 10.1057/9781137488510_10
DO - 10.1057/9781137488510_10
M3 - Chapter
AN - SCOPUS:85145031992
T3 - Geocriticism and Spatial Literary Studies
SP - 191
EP - 207
BT - Geocriticism and Spatial Literary Studies
PB - Palgrave Macmillan
ER -