Abstract
On the Boiler is W.B. Yeatss last piece of completed prose. Published posthumously through his familys Cuala Press in 1939, it represents what appears to be his final authorized word on politics, on education, on aesthetics, on war and peace. Controversial, and in places unpalatable, of all Yeatss published prose it is that which comes closest to fascism. It is also a serious meditation on art and European politics by a major poet. In any analysis of modernist nonfictional prose concerning war, On the Boiler should not be ignored. This essay argues that On the Boiler, hybrid and contradictory as it is, does not represent an anomaly, but a continuation. Yet it is also contingent, occasional, and conditional, and must therefore be examined as a printed object formally, paratextually, and contextually in order to understand the full resonance of its incendiary charge.
| Original language | English (Ireland) |
|---|---|
| Journal | E-rea: Revue électronique d¿études sur le monde anglophone |
| Volume | 17 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 1 Jun 2020 |
Authors (Note for portal: view the doc link for the full list of authors)
- Authors
- Paterson, Adrian