Abstract
This article draws on Pierre Bourdieu's analysis of the relationship between contemporary developments in print-capitalism - such as the vertical integration of means of production and distribution - And the literary avant-garde, and takes it in two directions. The first questions the extent to which these developments have, or have not, weakened the hold of Parisian publishers - And the dominance of French literature - on literatures in French published outside France. The second, related angle of enquiry questions the decline of the avant-garde at the expense of a thematics of the "real" that takes a number of forms, one of which is the postcolonial. The thrust of the argument is that this contemporary transitional moment sees French literature in a state of flux within broader, transnational configurations.
| Original language | English |
|---|---|
| Pages (from-to) | 411-425 |
| Number of pages | 15 |
| Journal | Australian Journal of French Studies |
| Volume | 50 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 2013 |
| Externally published | Yes |