Abstract
Ibsen and Chekhov on the Irish Stage presents articles on the theories of translation and adaptation, new insights on the work of Brain Friel, Frank McGuinness, Thomas Kilroy, and Tom Murphy, historical analyses of theatrical productions during the Irish Revival, interviews with contemporary theatre directors, and a round-table discussion with the playwright, Michael West and Thomas Kilroy.Ibsen and Chekhov on the Irish Stage challenges the notion that a countrys dramatic tradition develops in cultural isolation. It uncovers connections between past productions of plays by Ibsen and Chekhov and contemporary literary adaptations of their works by Irish playwright, demonstrating the significance of international influence for the formation of national canon.Conceived in the spirit of a round-table discussion, Ibsen and Chekhov on the Irish Stage is a collective study of the intricacies of trans-cultural migration of dramatic works and a re-examination of Irish theatre history from 1890 to the present day.
| Original language | English (Ireland) |
|---|---|
| Publication status | Published - 1 Jan 2012 |
Authors (Note for portal: view the doc link for the full list of authors)
- Authors
- Ros Dixon and Irina Ruppo Malone
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