Abstract
Sunday presents us with a moment of character revelation which undermines the gender stereotypes which have dominated Irish cinema. Its force lies in its refusal to contextualise this revelation through narrative, thereby ensuring that it retains its power to disturb.
| Original language | English (Ireland) |
|---|---|
| Journal | Short Film Studies |
| Volume | 1 |
| Issue number | 1 |
| Publication status | Published - 1 Jan 2011 |
Authors (Note for portal: view the doc link for the full list of authors)
- Authors
- Holohan, C.
