Abstract
As a âborn digitalâ� audiovisual music genre and visual aesthetic, vaporwave channels remnants of popular culture, advertising, and consumer technology from the 1980s and early 1990s. retrieving the strange sense of affective potential that still echoes within the outmoded, depleted myths of that era. In doing so, it opens up a unique vantage-point on our present moment, and our contemporary attachments to digital media and a still unrelenting consumer culture. Just as Walter Benjamin believed ârevolutionary energiesâ� to resound in the outmoded objects of nineteenth century culture, vaporwave invites us to recognise the affective potentials still incipient in the sounds and images of the recent past and, in doing so, to acknowledge the affective potential available in our own cultural moment.
| Original language | English (Ireland) |
|---|---|
| Journal | Open Cultural Studies |
| Volume | 2 |
| Issue number | 1 |
| Publication status | Published - 1 Jan 2019 |
Authors (Note for portal: view the doc link for the full list of authors)
- Authors
- Killeen, Padraic
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