Abstract
In plays as diverse as Brian Friels The Freedom of the City, Frank McGuinnesss Carthaginians and Vincent Woodss At the Black Pigs Dyke, there is evidence of an intemperate opposition to the idea of republicans performing protest against the state in Northern Ireland. Using Augusto Boals conception of theatre as a cultural weapon with a powerful emancipatory and utopian potential (theatre as a rehearsal for revolution) and drawing on Joseph Roach and Nicholas Argentis ideas of the kinesthetic imagination, this essay considers the republican prison protests that took place Ireland in the period 1978-81. At a Loss for Words argues that the cultural logic, not to mention the disconcerting effectiveness of these protests in mobilizing mass opposition to the state, is best understood in terms of theatrical performance.
| Original language | English (Ireland) |
|---|---|
| Pages (from-to) | 170-178 |
| Number of pages | 9 |
| Journal | KRITIKA KULTURA |
| Issue number | 15 |
| Publication status | Published - 1 Aug 2010 |
Keywords
- Prison protests
- Theatrical embodiment
Authors (Note for portal: view the doc link for the full list of authors)
- Authors
- Pilkington, L