Research output per year
Research output per year
MR
Accepting PhD Students
PhD projects
My research interests combine text and contextual approaches to film as cultural artefact. Ive supervised a wide range of projects on topics such as visual culture; genre; transnational cinema and film history. My own research is in three main areas:
1) Irish cinema as cultural and industrial phenomenon [with strong emphasis on contemporary developments];
2) Constructions of Ageing in contemporary culture, particularly in relation to masculinities;
3) Shifts in the status and circulation of cinema in the digital age.
Dr Tony Tracy is Lecturer in Film and Media Studies (above the bar). He joined the University of Galway in 2000 with a brief to establish film studies at undergraduate level and was a co-founder of the Huston School of Film amp; Digital Media in 2003. He has designed and directed established a number of Hustons flagship programmes including the BA with Film Studies and the MA Film Studies [Theory amp; Practice] and taught a wide range of undergraduate and postgraduate modules including: Classical and Post-Classical Hollywood cinema; Early amp; Silence Cinema, Global Cinemas; Irish Cinema; Film Exhibition and Distribution in Digital Age; Media amp; Audiences. Dr Tracy brings a wide range of interests and experience to his teaching, research and supervision; combining a background in film education and productiondistribution with scholarship of high quality and impact.Published research areas include: Irish cinema as a cultural and industrial phenomena; masculinities in film and popular culture; Irish America in film and literature; early and silent cinema.More recently he has undertaken research in cultural constructions of ageing and was Irish PI (Principal Investigator) for the EU funded project MASCAGE: IMAGES OF AGEING MASCULINITY IN EUROPEAN FICTION AND FILM. Among his Public - No restrictionations are the monograph White Cottage-White House: Irish-American Masculinities in Hollywood (SUNY Press) and the co-edited collections Ageing Masculinities in Contemporary European and Anglophone Cinem a (Routledge) , Ageing Masculinities in Irish Literature and Visual Culture (Routledge), Irish Masculinities and Popular Culture: Tigers Tales (Palgrave) and John Huston; Reflections on a Restless Director (McFarland). He is co-author of the Historical Dictionary of Irish Cinema and since 2014 was founding editor of the annual review of Irish film for the journal Estudios Irlandeses . He has also published about and produced a documentary on the pioneering KALEM film company and the pioneering role of Gene Gauntier as an early female actorscreenwriterproducer. Along with a notable Public - No restrictionation record and regular contributions to a range of festivals and cultural forums, Tony is a frequent contributor to Irish media (notably radio) on a variety of film related themes. From 2005-2015 he was a board member of the Fresh Film Festival and a judge on Irelands Young Filmmaker competition. He works regularly with filmmakers in film development and PR.
Published research areas include:Irish cinema as a cultural and industrial phenomena; masculinities in popular culture; Irish America in film and literature; early and silent cinema.More recently he has undertaken research incultural constructions of ageingand is the Irish PI (Principal Investigator) for the EU funded project MASCAGE: IMAGES OF AGEING MASCULINITY IN EUROPEAN FICTION AND FILM.He is enthusiastic to offer research supervision in any of these or related fields.Among his Public - No restrictionations are the monographWhite Cottage-White House: Irish-American Masculinities in Hollywood and the edited collectionsIrish Masculinities and Popular Culture: Tigers Tales (Palgrave) andJohn Huston; Reflections on a Restless Director (McFarland). He is co-author of theHistorical Dictionary of Irish Cinema and the annual review of Irish Film for the journalEstudios Irlandeses , the only review of its kind. He has also published about and produced a documentary on the pioneering KALEM film company and the role of Gene Gauntier within it.
Key teaching areas include: Masculinities and popular culture; Irish Cinema; European Cinemas; Early and Silent and Film; Hollywood Histories; Film After Film: Contexts of Consumption and Conservation;Cultural constructions of ageing.
In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):
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Research output: Other contribution (Published) › Other contribution
Research output: Other contribution (Published) › Other contribution
Research output: Other contribution (Published) › Other contribution
Research output: Book/Report › Edited Book › peer-review
Tracy, T. (Primary Supervisor)
Activity: Other › Current Postgraduates (Research) Supervised
Tracy, T. (Organising Chair)
Activity: Participating in or organising an event › Participating in a conference, workshop, ...
Tracy, T. (Organising Chair)
Activity: Participating in or organising an event › Participating in a conference, workshop, ...
Tracy, T. (Member)
Activity: Membership › Membership of committee